In Greek mythology, Kleodora (/kliːəˈdɔːrə/) was the name of one of the nymphs related to prophetic powers. Her name means “wonderful gift,” which in turn referred to the gift of obtaining visions about the future.

 

​In the archaic Hellenic tradition, the kleodoric method consisted of throwing several river stones into a clay urn while singing a song. Later, the nymph would be in charge of granting her gift through procedures that have been forgotten.

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KLEODORA parts from the notion that interprets technique as a site of common activity between art and science. From this, he proposes to aesthetically interpret the ecological monitoring process as a way of questioning the notion of value in the work of art and, in turn, explore devices that provide continuity to the material exercise of caring for ecosystems at risk.

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