Sound research project carried out from drifting listening processes in underwater contexts. It starts from the interpretation of the maritime environment as a field of acoustic experiences rather than visual ones, which entails a reformulation of spatiality and the ways in which it is expressed as narration and thought.

Sonority without territory, underwater sound without optical supports pushes the conventions of assimilation of the environment that surrounds us to the limit and the process by which perception becomes a symbol. Precisely the limits of this perception-imagination process are the object of the expeditionary search for ᴛɪɴɴɪᴛᴜꜱ, assuming that this same limit concerns the physical capacities of human listening.